当代中国可以说进入了一个泛艺术的时代,艺术创作、艺术研究和艺术需求、艺术市场都呈现出从未有过的活跃状态,这个时代为艺术提供了更为宽松的文化环境和更为丰沛的物质资源,但是我们尚不能乐观地指认现在的这个生机勃勃又鱼龙混杂的社会转型时代是一个艺术繁荣的时代,我们或可较为现实地认为现在正走向艺术繁荣的途中。艺术史告诉我们:大凡艺术繁荣的时代大都是艺术高度自主(即 Contemporary China can be said to have entered a pan-art era, art creation, art research and art needs, the art market has shown an unprecedented state of activity, this era provides a more relaxed cultural environment and more abundant However, we can not yet optimistically indicate that the current era of social transformation characterized by vitality and coexistence is an era of artistic prosperity. We may, however, be more realistic to think that we are now on the road to artistic prosperity. Art history tells us that most of the times of artistic prosperity are mostly highly autonomous arts (ie