论文部分内容阅读
对于庞德所译的中国古典诗歌,国内外学者众说纷纭、褒贬不一。本文试从功能翻译理论的视角评价庞德所译的三首汉诗《落叶哀蝉曲》《长干行》和《怨歌行》。庞德的汉诗译作虽对原作改动颇大,但意象突出、诗情横溢。在看似“粗暴”地对原作进行改变、删减和添加的翻译策略背后,隐藏的是译者鲜明的翻译目的:借中国古典诗歌鲜明、清新的意象和神韵来冲击当时在美国诗坛上盛行的陈旧迂腐、矫揉造作的维多利亚文风,掀起了现代意象主义诗歌的革命。正是在这样的目的的指导下,庞德才运用灵活的翻译策略,创译出了现代意象主义诗歌,并成了典范。从功能翻译理论中目的法则主导一切的角度来看,庞德的汉诗译作是值得肯定的。
For Pound classical Chinese poetry translated by domestic and foreign scholars have different opinions, mixed. This article attempts to evaluate Pound’s three Chinese poems “Lonely Leaves”, “Chang Gan Xing” and “Resentment” from the perspective of functional translation theory. Pound translation of the Chinese poetry although the original changes quite large, but the image prominent, full of poetry. Behind the translation strategy of changing, deleting and adding the original works in a seemingly “crude ” way, behind the translator ’s sharp translation purpose is to use the vivid, fresh image and charm of Chinese classical poetry to attack the poetry On the prevailing old pedantic, artificial make Victoria style, set off the revolution of modern imagery poetry. It is under the guidance of such a goal that Pound uses the flexible translation strategy to translate and modernize the poetry of modern imagination and become a model. From the perspective of the law of purpose in functional translation theories, Pound’s translation of Chinese poems is worthy of recognition.