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本文从生成过程和成熟形态的角度论证了毛泽东的以文化观为基础的世界美学意识。指出毛泽东在把马克思主义美学与中国革命的具体实践相结合的过程中,通过审美形态的崇高化、文艺创作与接受的人民大众化,使马克思主义美学对世界无产阶级的文艺的普遍指导意义现实化、实践化、具体化,从而内在性地表征了毛泽东的世界美学意识。
This paper argues Mao Zedong’s aesthetic awareness of the world based on the cultural concept from the perspective of the formation process and the mature form. It is pointed out that in the process of combining Marxist aesthetics with the concrete practice of the Chinese revolution, Mao Zedong realized the universal guiding significance of Marxist aesthetics for the world proletariat’s literary and art work through the exaltation of the aesthetic form, the creation of literature and art and the acceptance of the populace. , Practically and concretely, so as to intrinsically characterize Mao Zedong’s aesthetic awareness of the world.