19世纪末到20世纪初,精神分析学派在欧洲风行一时。它不仅是一种心理学理论,也是对20世纪有着深远影响的文艺理论流派之一。本文以弗洛伊德的“自恋”理论和拉康的“镜像场景”为理论支撑,从精神分析的视角对外国文学作品中的“倒影”或“镜像”情节给予一种新的解读,挖掘文本背后作者的创作动机。 From the late 19th century to the early 20th century, psychoanalysis was popular in Europe. It is not only a theory of psychology, but also one of the schools of literary theory that has a far-reaching impact on the 20th century. This article takes Freud’s theory of “narcissism” and Lacan’s “mirror scene” as theoretical support. From the perspective of psychoanalysis, this thesis analyzes the “reflection” or “mirror” plot of foreign literary works To give a new interpretation, mining the text behind the author’s creative motivation.