《中国音乐》1999年第一期封三,刊发了一幅照片,是一位老人的头像,头像置于以宝石兰为底色,以五彩色书写的繁体美术字“乐”的中间。头像的焦距对得不是很实,有些显虚。这是我在中国音乐学院参加由文化部教科司主办的全国音乐理论刊物研讨会上,浏览获赠的该期刊物时看到的。起初的第一眼,头像并没有引起我太多的在意,心想又是一位音乐家去世了,因为在阅读《中国音乐》为数不多的几期形成的一点儿印象里,封三仿佛经常刊发新近去世的音乐家的照片,并在内 China Music released the first issue of 1999, a photograph showing the head of an old man in the middle of a traditional melody written in five colors based on gemstone. Avatar’s focal length right is not very real, some virtual. This is what I saw at the China Conservatory of Music during a seminar on the national music theory published by the Department of Education and Science under the Ministry of Culture. At first glance, the avatar did not arouse too much concern to me, I thought it was another musician who died because in reading a few impressions of “Chinese music” Often published photos of recently dead musicians, and included