沈阳故宫始建之时,努尔哈赤后金政权还只是一个偏居一隅的少数民族的地方政权,其文化与物质基础远没有成型规模。努尔哈赤称谓是汗王,与帝王在诸多典仪之中的形象与内容都不能同日而语。因此他们所使用及作为装饰与陈设的物品相对粗陋。即便有,其工艺水准与久居中原的具有深厚汉文化底蕴的帝室珍藏百不及一。清王朝入主中原之后,受到先进文明的浸染,清统治者对汉文化极度热爱与崇敬,并以汉文化的代表自居。因为,清宫所藏为历代之精华,直至今日所见,就其质地、工艺、题 When the Forbidden City was founded, Nurhachu’s post-government regime was only a local government of ethnic minorities living in a corner. Its cultural and material foundation is far from being shaped. Nurhachu appellation is Khan Khan, and the emperor among the many images and content are not the same. Therefore, they are used and as a decorative and furnishings items relatively rude. Even if there is, its craft level and lived in the Central Plains with profound cultural heritage of the Royal Collection less than one. After the Qing dynasty entered the Central Plains, it was infiltrated by advanced civilizations and the Qing rulers had great love and respect for the Han culture and represented themselves as representatives of the Han culture. Because, Qing possession of the essence of the ages until today, the texture, technology, questions