文章阐发的是有关“生态文艺学”学科建设的一个前提。希望从源头处考察 ,作为人类精神行为之一的文学艺术活动与人类所置身其中的自然环境的关系 ,以及自然生态对文学艺术所拥有的独特意义 ;自然的法则、人的法则、艺术的法则应当是一致的。工业时代对世界的“祛魅” ,既祛除了人类心中的蒙昧和迷信 ,也祛除了人对自然的亲和与敬畏 ,从而板结了文学艺术生长的土壤。一个摒弃了自然的时代 ,等于摒弃了自己的生存之根。诗人们的“怀乡症”实际上充满了生态学的内涵 ;新世纪生态文艺学的使命在于 :通过审美的途径 ,把自然放回一个与人血脉相连的位置上 ,让人与自然重新整合起来 The article elucidates the premise of the subject construction of “ecological literature and art”. It is hoped to examine from the source the relationship between the literary and artistic activities as one of the human spiritual behaviors and the natural environment in which mankind lives and the unique significance of natural ecology to literature and art. The laws of nature, the laws of man, the law of art Should be consistent. The “disenchantment” of the world in the industrial era not only eliminated the ignorance and superstition in the human mind, but also dispelled the affinity and awe of man to nature, thus consolidating the soil for the growth of literature and art. An abandoned era of nature is tantamount to abandoning its own root of existence. The “nostalgia” of poets is actually full of the connotation of ecology. The mission of ecological literature and art in the new century lies in: putting the nature back to a place where human beings are connected by means of aesthetics and reintegrating people and nature stand up