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一八六五年沙龙展出了马奈的《奥林比亚》,从道德和技法两个角度,在画坛评论界和公众之间引起了比《草地上的午餐》更大的喧嚣。作者感到很烦恼,甚至一度想躲避到西班牙去。不顾那些不理解人们的嗤笑,通情达理的评论家、作家、热衷于探究的青年画家们却集聚到了他的周围。格莱尔门下的叛逆者莫奈、西斯莱、雷诺阿、巴齐依,几年前马奈在卢佛尔美术馆临摹时偶然相识的闰秀画家莫里索,左拉和他少年时代的朋友,极力维护马奈的塞尚,和塞尚在同一自由研究所里
In 1865 Sharon exhibited Manet’s “Olympian”, which caused more loud noise than “lunch on the grass” between the art critic community and the general public from both moral and technical points of view. The author was so annoyed that he even wanted to escape to Spain once. Regardless of those who do not understand people’s laughter, sensible commenters, writers, young artists who are passionate about exploration have gathered around him. Claude Monet, Sisley, Renoir, Baqi Yi, the rebel against Gore, Mena Morozuo, Zola and his boyhood, who met by chance when Manet made a copy in the Louvre Art Museum a few years ago. Friend, trying to preserve Ceyhan, Manet, and Cezanne at the same Institute of Freedom