苏轼的婉约词《蝶恋花·春景》脍炙人口,用词精炼,哲理深刻,吸引了诸多翻译学者的关注,他们致力于将如此寓意丰富的文化成果传播至世界。文章选取许渊冲、杨宪益和卓振英对这首词的三种英译本,从美学视角的意境美、音韵美、意思对等和形式对等四个方面出发进行对比评析。 Su Shi’s graceful words “Butterfly Love Spring · Spring King” win universal praise, the use of words refining, philosophical profound, has attracted the attention of many translation scholars who are committed to such an ethnically rich cultural achievements spread to the world. This article chooses Xu Yuanchong, Yang Xiangyi and Zhuo Zhenying to compare and analyze the three English versions of this poem from four aspects: aesthetic beauty, phonological beauty, equivalence of meaning and form equivalence in the aesthetic perspective.