近代美术史上出现过两个几乎是最简洁的关于造型元素的概括:其一,塞尚认为一切造型都可以理解成圆柱体、圆球体和圆锥体;其二,康定斯基提出点、线、面是抽象艺术的基础。他们的理论大大影响了造型语言的发展进程。在这里,我尝试把造型语言简约成“线性”和“旋转”这两个元素,希望能从另外一个角度来揭示造型语言的特质。这里的“线性”用来表示所有直线的、平面的模型与运动轨迹,而“施转”则用来表示所有曲线的、曲面的模型与运动轨迹。我之所以没有使用“曲线”这个词,是因为“旋转”这个词不仅能包含“曲线”的含义,而且能表示运动的轨迹。这两类运动形式是普遍存在的,所以造型语言也是以这两种符号来对客 In the history of modern art, there appeared two almost the most succinct generalizations of the modeling elements: First, Cézanne thought that all shapes can be understood as cylinders, spheres and cones; secondly, Kandinsky proposed a point, a line, Surface is the basis of abstract art. Their theory greatly influenced the development of styling language. Here, I try to simplify the styling language into two elements of “linearity” and “rotation,” hoping to reveal the qualities of the styling language from another perspective. Here, “linear” is used to represent all linear and planar models and motion trajectories, while “rotation” is used to represent all curved and surface models and motion trajectories. The reason I did not use the word “curve” is because the word “rotation” encompasses not only the meaning of “curve” but also the trajectory of the movement. These two forms of movement are ubiquitous, so styling language is also based on these two symbols to the customer