通过分析在欧美的亚洲趣味建筑称为“东方主义”之缘由,提出把在殖民地作为统治者符号夸示其威势的风格命名为“篡夺样式”。日本与欧美接触时初期产生的建筑实质上是从西洋借用的,后来日本“国民样式”在昭和时期达到盛况。在欧美和日本学习建筑的中国留学生的价值观不是中立的,因而中国的建筑一开始就持有两种色彩;其后,留学美国的取得了主导权,中国建筑师的作品与国家主义发生联系。 Through the analysis of the reason why the interesting buildings in Asia and America are called “Orientalism”, it is proposed that the style in which the colony is used as a symbol of the ruler to exaggerate its power is named as “deprivation style.” The building that was created at the beginning of Japan’s contact with Europe and the United States was essentially borrowed from the West, and later Japan’s “national style” reached a grand occasion during the Showa era. The values ​​of Chinese students studying architecture in Europe, America and Japan are not neutral, so Chinese architecture has two colors from the very beginning; afterwards, studying in the United States has gained dominance, and Chinese architects’ works have been associated with nationalism.