当中国进入一个要求文化自觉与自强的时代,中国的美术理论研究和美术创作批评,同样需要立足于中国社会的现实基础和中国文化立场之上,以此来对那些为新中国美术事业做出重要贡献的美术家,对关注中国社会现实的美术创作,对中国美术传统之要义,做出深入、系统和中肯的反思、梳理与总结,并提出当代中国美术界应有的认识结论。本期我们以有所不同的方式为大家介绍的[时代人物]江丰、[本期名家]刘曙光,以及在[品评]、[心路]等栏目中介绍的美术作品,还有在[案边点滴]当中由王非结合实践来对画法的研究阐述,可以说都是在今天的文化大背景下,为一个含括了最大范围的文化理想得以实现所做出的努力。 When China enters an era that calls for cultural self-reliance and self-reliance, China’s theoretical criticism of fine art and fine art creation also need to be based on the realistic foundation of Chinese society and the position of Chinese culture in order to make contributions to the cause of art for the new China Important contributions to the art of paying attention to the reality of Chinese society, the Chinese art tradition of the meaning of making an in-depth, systematic and fair reflection, combing and summarizing, and put forward the contemporary Chinese art community should be the understanding of the conclusion. In the current issue, we introduce Jiang Feng, a famous contemporary artist, and Liu Shuguang [different artists] introduced in different ways and in the sections of [Tasting] and [Mind Path] Bit by bit] among them, Wang Fei’s research on the painting of law combined with practice can be said to have worked for a realization of the cultural ideal of the broadest scope under today’s cultural background.