“原创的误读”企图反思阿根廷现代性,并面向理解这个国家当代建筑所需要的全新叙事。拉丁美洲的现代性作为后殖民主义的首次理性建构,在历史与批评中获得了其合法性。毫无疑问,这一过程不仅意味着剧烈的文化转型,而且在全球文化巨变的那些时刻,地方化的生产更显示出其原创性,而且目标明确。转型期的声色各异旨在建构一个理念场,不仅与自身的历史对话,同时也与整个国际语境交流。今天,建筑话语的生产似乎退到形式表达的背后。但是,我们仍可发现一些有价值且极具地方独特性的实践方向。其作品可以理解为各种强大的现代性的延续,或某种结构的诗学,一些早期粗野主义表达被精致化以后的手法主义,学派学科状态的变化调整,或是一种与新技术的关联。质的转变,谨慎而微妙,塑造了阿根廷当代建筑传承与断裂的特质,这一切都与生活的方式以及对当下的阅读密不可分。 “Original Misreading ” attempts to reflect on the modernity of Argentina and to orient the new narrative needed to understand contemporary architecture in this country. As the first rational construction of post-colonialism, Latin American modernity gained its legitimacy in history and criticism. There is no doubt that this process not only means dramatic cultural transformation, but localized production is more original and clear-cut at times when the global culture is in flux. The different colors and colors of the transitional period aim to construct a concept field not only with its own historical dialogue but also with the entire international context. Today, the production of architectural discourse seems to retreat behind the formal expression. However, we can still find some practical directions that are valuable and uniquely local. His work can be understood as a continuation of various powerful modernities, or as a structure of poetics, some of the rhetoric of exaggerated early rhetoric, the adjustment of academic disciplines, or a combination of new techniques Associated. The qualitative change, cautious and subtle, has shaped the traits of the inheritance and fragmentation of contemporary architecture in Argentina, all of which are inextricably linked with the way of life and reading of the moment.