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随着西方文学与文化研究中的空间转向,空间问题逐渐成为当代人文社会科学关注的焦点。亨利·列斐伏尔、戴维·哈维等新马克思主义者认为,现代空间其实是资本主义社会发展的产物,并随其历史演变而一再构筑重组。作为现代生活枢纽的城市,更是其意识形态霸权控制的重要场所。从文学中的地理绘图、电影中的都市景观到网络中的赛博空间,媒介嬗变中的城市空间想象构成了一种新的地缘政治美学,使探究可,能的城市世界的思考变得迫在眉睫。现在的关键,不在于将更多边缘的空间纳入主流的视野,而是彻底颠覆这种资本主义霸权空间的坐标。
With the spatial shift in the study of Western literature and culture, the issue of space has gradually become the focus of contemporary humanities and social sciences. New Marxists such as Henri Lefebvre and David Harvey believe that modern space is actually a product of the development of capitalist society and has been reorganized repeatedly with its historical evolution. As a modern life hub city, it is an important place for ideological hegemony control. From the geographic mapping in literature, the urban landscape in the movie to cyberspace in the network and the imagination of urban space in the transmutation of media constitute a new kind of geo-political aesthetics, which makes the exploration of a viable urban world become imminent . The crux of the matter now lies not in bringing the more marginalized space into the mainstream, but in completely overthrowing the coordinates of this hegemonic space of capitalism.