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20世纪50至70年代,少数民族文学理论批评范式在保持与同时期文学理论批评范式一体化的同时,也形成了自己独特的政治诗学与政治叙事学的批评范式。这一批评范式以少数民族传统诗学为资源,以具有民族特色的叙事功能为核心,重组了现实主义叙事理论诸元素,政治批评与诗学批评、叙事学批评同时在场,二位一体。这一范式捕捉和把握了少数民族文学创作的主潮,提炼出了少数民族文学的多种价值,丰富了本时期中国文学学术话语体系。
From the 1950s to the 1970s, while maintaining the integration with the literary theory critics of the same period, the minority Chinese literary criticism paradigm also formed its own unique criticism paradigm of political poetics and political narratology. This criticism paradigm takes the minority traditional poetics as the resource, the narrative function with the national characteristic as the core, reorganizes the elements of the realistic narrative theory, political criticism and poetic criticism, and the narratological criticism is present at the same time and in the same place. This paradigm captures and grasps the tide of minority literature creation, extracts many kinds of values of minority literature, enriches the academic discourse system of Chinese literature of this period.