中国传统戏曲人物,往往是忠奸分明、善恶分明、美丑分明。通常以起伏跌宕的故事情节,唤起人们大喜大悲、大爱大憎的心灵共鸣。这种传统戏曲文化的审美观念,从某种意义上形成了中国观众的欣赏习惯。因此,剧作家不仅通 Chinese traditional opera figures are often divided into two categories: sin and evil, distinct good and evil, and beautiful and ugly. Often ups and downs of the story to arouse people overjoyed, love big anger and soul resonance. The aesthetic concept of this traditional opera culture has in some sense formed the appreciation habit of the Chinese audience. Therefore, the playwright is not only pass