当我们把波兰斯基在1965至1968年创作的四部电影:《冷血惊魂》《荒岛惊魂》《天师捉妖》与《罗斯玛丽的婴儿》,与他在童年阶段遭遇的困苦情况相联系时,我们会发现这些影片的吸引力,正在于展现出了波兰斯基不愿沉湎于痛苦过往的个性。他内心深处固有的乐观精神,让他在面对黑暗和绝望时仍然能保持顽皮,并且在幻想世界中寻求宣泄。同样重要的是,这些影片展现了他在塑造有趣而复杂的女性角色时具有的出众能力;虽然波兰斯基在这一阶段接受的访谈中常常抛出虚张声势的大男子主义 When we compare the four films Polanski created in 1965-1968: Colds and Horrors, Desert Island Cry, Heavenly Master and Baby and Rosemary’s Infant, linked to the hardships he suffered during his childhood We find the appeal of these films in the midst of showing Polanski’s reluctance to indulge in a painful past. The inherent optimism inherent in his heart kept him naughty in the face of darkness and despair and sought to vent his mind in the fantasy world. Equally important, these films demonstrate his superior ability to shape playful and complex female roles; although the Polansky overtones are often thrown at the stage of interviews with macho