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4月12日至17日,由全国青年美学研究会发起,在浙江金华召开了“当代中国的美学研究”学术研讨会。会上,青年美学研究者们首先讨论了当代中国美学研究的困境问题。大家深感我国美学研究已进入低谷时期,研究课题狭窄,研究水平浅近,研究人员流失,著作出版困难,科研经费奇缺。关于美学原理问题,有人认为美学陷入困境是因为把美、崇高、悲剧、喜剧这些概念作为原范畴来研究,实际上美学的对象不是如此狭窄。有人认为不可把美学研究对象看成是外在于主体的孤立事物,美学应该注
From April 12 to April 17, the Symposium on Contemporary Aesthetics in Contemporary China was held in Jinhua, Zhejiang Province by the National Youth Aesthetics Research Association. At the meeting, young aesthetics researchers first discussed the dilemma of contemporary Chinese aesthetics. We all deeply feel that the aesthetics research in our country has entered the trough period. The topics of research are narrow, the research level is shallow, the researchers are lost, the publication is difficult, and the funding for scientific research is scarce. On the aesthetic principle, some people think that aesthetics is in trouble due to the concept of beauty, sublime, tragedy, comedy as the original category to study, in fact, the object of aesthetics is not so narrow. Some people think that the object of aesthetic study can not be regarded as the external subject matter of isolation, aesthetics should note