原以为冯小宁平和内敛不善言辞,最后才发现自己错大了,他的张扬与隐忍、他的文韬与武略、他对中国电影的批判与容忍、他的愤怒与快乐,都奇迹般地扭结纠缠在一起,在滔滔不绝中倾泻而下。他的攻击性、张狂劲、名门作派乃至狂放不羁,都恰如他自己不承认却无处不在的愤世嫉俗一样刺目昭然,然而他自己却不这么认为。 It was originally thought that Feng Xiaoning was restrained and restrained, and finally found himself wrong, his publicity and forbearance, his literary talent and military strategy, his criticism and tolerance of Chinese films, his anger and happiness were miraculously kinked Tangled together, pouring down in the endless. His aggressiveness, franticness, masculinity and even wild unrest were as striking as his own cynicism, utterly unrecognized but ubiquitous, yet he did not think so.