魏夫昌,江西安远人,从小偏好涂鸦,这完全得益于母亲的启蒙。参加工作后,魏夫昌一直坚持自己的业余爱好,勤奋有加,直到动荡的“文革”时代才无奈搁笔。党的十一届三中全会后,万物复苏,魏夫昌又重拾旧好,既是文化馆的领导,又是美术干部。原来的业余爱好,竟成为他的工作专业了。艺术改变了他的命运,艺术也成就了他的人生。他的国画创作立足本土,格调清新,笔墨灵动鲜活,远看有气势,近睹有匠 Weifu Chang, Jiangxi Anyuan, who preferred graffiti, which is entirely due to the mother’s enlightenment. After attending the work, Wei Fuchang has always insisted on his hobby, hardworking, until the turmoil of the “Cultural Revolution” era was helpless pen. After the Third Plenary Session of the Eleventh Central Committee of the Party, everything revived and Wei Fuchang returned to the old good. He was both the leader of the cultural center and the art cadre. The original hobby, has become his professional job. Art changed his fate, and art made his life. His creation of Chinese painting is based on the native land, his style is refreshing, its writing is clever and fresh