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对中国传统诗学中感悟这一文化资源的发掘、清理,是我近期在有关中国诗学的研究中思考得比较多的一个问题。除先后多次在一些学术场合谈过我的看法外,还于2002年发表过《中国诗学的文化特质和基本形态》一文,对其意义作过一些初步的说明。近期撰写的《感悟通论》,原是我所撰著的《中国现代学术通论》中的一章,完成后未及发表,就在一些年轻的学者中传阅,他们中的几位并从各自的角度写成论文,尝试对问题做进一步的探讨和分析。由于各人不同的知识背景,对问题的认识也各有其独到之处。这里将它们集中刊出,目的在于能引起学界对这一问题的重视,并借以促进中国传统诗学的现代转化事业。
The excavation and clean-up of the sentiment of this cultural resource in Chinese traditional poetics is one of the issues that I think more recently in the study of Chinese poetics. In addition to having repeatedly talked about my views on some academic occasions, I also published a paper entitled “Cultural Traits and Basic Forms of Chinese Poetics” in 2002, and made some preliminary explanations on its significance. Recently written “General Theory of Sentiment” was originally a chapter in “General Theory of Modern Chinese History” which I dubbed. When it was completed, it was circulated among some young scholars. Some of them, from their perspectives Written papers, try to further explore the issue and analysis. Due to the different backgrounds of knowledge of each person, the understanding of the problems also has its own uniqueness. Here they are published in a centralized manner, the purpose is to arouse the attention of academia on this issue, and to promote the cause of the modern transformation of Chinese traditional poetics.