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本文认为将全部西方美学思想发展纳入某种持续不变、以一贯之的对立线索之中的做法,不符合西方美学史的实际情况。不能将对于哲学史发展的某种理解机械地套在美学史上,而完全忽视美学史本身的特殊性和复杂性;也不能把西方美学史发展过程中某个时期和阶段产生的美学思潮对立加以泛化,以偏概全,作为贯穿全部西方美学史的基本对立线索。论文按照“具体情况具体分析”原则,用分段研究的方法,对西方美学历史发展各个时期和阶段的思想变化、理论走向、基本特点和前后联系等作了分析和概括,并由此对西方美学发展的基本脉络进行了动态的描述,力求揭示出西方美学发展演变的内在规律。
This paper argues that the incorporation of the development of all western aesthetics into some persistent and consistent opposites clues does not conform to the actual situation of western aesthetic history. We can not mechanically put a certain understanding of the development of the history of the history of aesthetics into the history of aesthetics but completely ignore the particularity and complexity of the history of the history of aesthetics. Nor can we add the antithesis of aesthetics to aesthetics at some stage in the development of the history of the western aesthetics Generalization, to be general, as the basic opposites of the history of all Western aesthetics. According to the principle of “concrete analysis of specific situations”, the dissertation analyzes and summarizes the changes of thought, trend of trends, basic characteristics and contextual relations in various periods and stages of the development of western aesthetics by using the method of subdivision research This article describes the basic context of the development of western aesthetics and tries to reveal the inherent law of the development and evolution of western aesthetics.