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本文对学术界已有的明清竹刻史分期理论进行介绍和评价,同时结合实物和文献,对明清嘉定竹刻艺术的历史分期提出意见。同时,紧密围绕嘉定竹刻自晚明朱氏祖孙三代创派以来所形成的艺术特色及其此后的发展演化进程,将其历史划分为六个阶段:创法期、传法期、弘法期、变法期、守法期、末法期。力求通过分期与各期的定名,反映出嘉定竹刻的丰富变化和多样内涵,揭示其演变和消长的轨迹与内在原因,以更好地认识嘉定竹刻的艺术特色、美学风格和技法体系,使其有助于对明清嘉定竹刻作品的鉴赏实践。
This paper introduces and evaluates the history division history of bamboo and wood in the history of the Ming and Qing Dynasties, and puts forward some suggestions on the historical stages of bamboo carving in Jiading City in the Ming and Qing Dynasties. At the same time, closely around the Jiading bamboo carving since the late Ming and Zhu’s ancestors and grandchildren since the creation of three generations of art characteristics and the subsequent evolution of the process of development, the history is divided into six stages: a period of creation, spread of legal period, Change period, law-abiding period, the end of the legal period. Through the staging and the naming of each period, it attempts to reflect the rich changes and diverse connotations of Jiading bamboo carving, and to reveal its trajectory and internal causes of evolution, growth and decline so as to better understand the artistic features, aesthetic styles and techniques of Jiading Bamboo Carving, Contribute to the appreciation of Jiading bamboo carving works in Ming and Qing Dynasties.