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倪瓒的绘画开创了水墨山水的一代画风,在画法构图上,他突出个人风格特点,采用平远构图,独创两段式章法,使画面具有辽阔旷远的特殊艺术效果。绘画多借枯索之物寄情寓意,画风疏远萧散、荒寒静寂。提出“逸笔”、“逸气”之说的艺术主张被视为文人画审美品评的标准。倪瓒著有《云林诗集》、《清闷阁集》。他的作品为元代绘画和中国古代绘画增加了奇异的光彩,对后世的绘画发展影响极大。
Ni 瓒’s painting pioneered the style of ink and wash painting. In the composition of painting, he emphasized personal style features. He used a flat-framed composition and created two-chapter style to make the picture have the special and artistic effect of vastness and breadth. Painting more by virtue of the sentimental appeal, painting aphrodisiac Xiao, deserted silence. It is proposed that the artistic proposition of “Yi Pen” and “Qi Qi” should be regarded as the standard of aesthetic evaluation of literati painting. Ni 瓒 with “Yunlin poetry”, “Qingbi Pavilion set.” His works have added strange luster to the paintings of the Yuan Dynasty and the ancient Chinese paintings, which have a great influence on the later development of the paintings.