版画伴随着印刷术的产生而日渐发展新兴起来,近年来,版画更是不断发展壮大,形成了多版种共同发展的新貌。在时代发展变迁的历史环境下,版画在题材上不再是一味的追求对历史的宣传,从而摆脱了历史的重负,走进了现实生活的风土民情中去。然而在这么一个全世界人类不断交流交融发展的时代,我国的版画也面临着一个转型阶段。如何在丰富冗杂的东西方文化碰撞下很好的发扬我国的传统文化,是每一位艺术家都值得深思的问题。 Printmaking along with the emergence of printing and the gradual development of emerging, in recent years, the print is to continue to grow and develop, forming a multi-version of the common development of the new look. Under the historical environment of the development and changes of the times, printmaking no longer blindly pursues the propaganda of history on the theme, thus getting rid of the burdens of history and walking into the customs of the real life. However, in such an era of continuous exchanges and integration of mankind throughout the world, our printmaking is also facing a transformation phase. How to carry forward China’s traditional culture well under the rich and varied collision of eastern and western cultures is a question worth pondering every artist.