导演姜文再次升起《鬼子来了》七年之后,姜文重执导筒,他曾经说过不喜欢重复自己,这一次的影片果然跟《阳光灿烂的日子》和《鬼子来了》都不一样。从目前我们拿到的材料来看,这部电影吸取了不少拉美文化的元素,叙事采用类似《上帝之城》的结构主义手法,串联起上世纪60年代的几个故事。而影像和故事,还带有拉美 Jiang Wen once again raised the “devils come” Seven years later, Jiang Wen re-directed the tube, he said did not like to repeat myself, this time the film really with the “sunny day” and “devils are coming” are not the same. From the material we have obtained so far, the film draws a lot of elements of Latin American culture. The narrative adopts a structuralist approach similar to that of the “city of God,” concatenating several stories from the 1960s. The images and stories, but also with Latin America