罗兰·巴尔特在批判萨特的过程中提出了“中性写作”的观念,后来他不仅把“中性”发展为一种理论方法,而且发展为“既置身于各种呼声和判决的环境里却又毫不介入其中”的生存策略。1968年他在“五月风暴”中的表现就是这种策略的预演。而在法兰西学院研讨班上他又将这种策略进一步理论化,描绘出了一种与权力无涉的个人节奏性生活的乌托邦,并在吸收东方的禅道哲学以及古希腊怀疑论思想以后,巴尔特逐渐沦落为一个受人诟病的寂静主义者。不过,也正因为这些,巴尔特在后结构主义阵营中是不可替代的。 Roland Barthes raised the notion of “neutral writing” in the process of criticizing Sartre, and later he developed not only “neutral” into a theoretical approach but also “ The environment in which voices and judgments have not intervened in which ”survival strategy.“ His performance in ”May Storm" in 1968 was a rehearsal of this strategy. However, at the seminar of the French Academy, he further theoreticalized this strategy and delineated a utopia of personal rhythmic life without power. After absorbing the oriental philosophy of Zen Buddhism and the ancient Greek skepticism, Barthes gradually reduced to a criticism of the quietists. However, it is precisely because of these, Barthes in the post-structuralist camp is irreplaceable.