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从上世纪80年代至今,中国版画在二十多年的发展进程中,一方面伴随着失落、痛苦、徘徊、挣扎、绝望、觉醒、自律与希望等种种心理历程,在观念转化、语境变易、视觉革命和本体建设上取得了相当大的发展,版画创作明显呈现出艺术自律性;而另一方面却逐步滑向中国当代美术的边
From the 1980s to the present, in the course of more than two decades of development, Chinese printmaking has been accompanied by various psychological experiences of loss, suffering, wandering, struggling, desperation, awakening, self-discipline and hope. On the one hand, , Visual revolution and ontology have made considerable development, the printmaking shows a clear artistic self-discipline; the other hand, it gradually slides to the edge of contemporary Chinese art