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三四十年前,只要研究美术史、从事书画鉴赏,都离不开两本书,一本是郭味蕖先生的《宋元明清书画家年表》(中国古典艺术出版社,1958),另～本是徐邦达先生的《历代流传书画作品编年表》(上海人民美术出版社,1965)。1960至1965年间,我在中央美术学院美术史系学习的时候,徐先生的书还没有出版,研究书画家及其作品的重要工具书,就只有郭先生这本了。这本书按年代编入历代书画家的生平大事和见于记载流传作品,所记大事和所录作品都一一注明出处,出处之一即是《知鱼堂书画录》。由于此书没有问世,所以何人所著,当时对我来说还是个谜团。上世纪60年代,郭味蕖先生在花鸟画的推陈出新上取得了引人瞩目的成就,他的《中国版画史略》也于1962年出版,美
Three or four decades ago, as long as the study of art history, painting and calligraphy appreciation, are inseparable from the two books, one is Mr. Guo Weigeng’s “Song and Yuan Dynasties Ming and Qing Painters” (China Classic Art Press, 1958) Is Mr. Xu Bangda’s “chronology of circulated works of calligraphy and painting” (Shanghai People’s Fine Arts Publishing House, 1965). From 1960 to 1965, when I was studying at the Fine Arts History Department of the Central Academy of Fine Arts, Mr. Xu’s book was not published yet. Only Mr. Guo’s book was an important tool for studying calligraphers and their works. This book according to the age into the ancient calligraphy and painting master’s life events and found in the record of popular works, recorded memorabilia and recorded works are all identified one source, one of the sources is “Zhuxintang calligraphy and painting records.” Since this book did not come out, so who was, was still a mystery to me. In the 1960s, Mr. Guo Weiyuan made remarkable achievements in flower and bird painting. His “History of Chinese Prints” was also published in 1962, and the United States