论文部分内容阅读
随着市场的逐步规范和发展,估计到2020年,中国艺术品拍卖市场的交易额将超过5000亿元;同时,中国将具有16万亿元艺术资产的潜在需求。而现在中国艺术品交易中的躁动与喧嚣,是否是市场走向成熟的必经阶段呢?自今年1月12日天津文化艺术品交易所(以下简称“天津文交所”)首个艺术品份额系列产品——白庚延作品《黄河咆啸》和《燕塞秋》正式面向社会发行以来,艺术市场便掀起轩然大波。社会各界对此展开了激烈的讨论,媒体更是如战机般轰炸性报道。指责、质疑、批判天津文交所将艺术品证券化交易的新闻铺天盖地。到底事件的核心问题是什么?在质疑
With the gradual standardization and development of the market, it is estimated that the transaction volume of the Chinese art auction market will exceed 500 billion yuan by 2020; meanwhile, China will have the potential demand of 16 trillion yuan of art assets. Now that the restless and noisy Chinese art trade is the necessary stage for the market to mature? Since January 12, the first art of the Tianjin Cultural and Art Exchange (hereinafter referred to as “Tianjin Stock Exchange”) Share of products - Bai Gengyan works “The Yellow River roar” and “Yansaiqiu” formally for the social issue, the art market has set off an uproar. All sectors of society have heated discussions, the media is more like a fighter-like bombing reports. Accusing, questioning and criticizing the Tianjin Stock Exchange over the art securitization news overwhelming. In the end what is the core issue of the incident?