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“境生象外”是中国古典绘画的一个重要美学范畴,本文从文字学溯源,以由“象”入“境”的考据开始进入画学领域,在“象”与“境”的演变中探究中国古代绘画的批评与创作方法,从而指向中国古典绘画“境生象外”这一审美标准背后所蕴含的人生境界和天地境界,由此揭示出传统中国画中的文化性和思想性要素。
The phenomenon of “living outside the home” is an important category of aesthetics in Chinese classical painting. Starting from the traceability of philological studies and from the textual research of “Xiang” into “Habitat”, this article enters into the field of painting. In the evolution of “Xiang” and “Habitat” Explores the criticism and creation method of ancient Chinese painting, and then points to the realm of life and the realm of heaven and earth behind the aesthetic standard of “classical painting” of Chinese classical painting, thus revealing the cultural and ideological elements of traditional Chinese painting.