一20世纪前期中国剧场理论走过了曾经的辉煌和历史的断层之后,至20世纪中国剧场理论终于进入了“自觉”阶段。当然,这决不意味着整个戏剧领域瞬间的彻悟和自觉,而是表现为某些戏剧理论者开始对戏剧本质和审美特性的自觉追求与把握。剧场意识的“自觉”便是剧场开始从剧本的阴影下坦然走 After the theory of Chinese theater passed the fault of the past glory and history in the early twentieth century, the theory of Chinese theater finally entered the stage of “consciousness” in the 20th century. This, of course, does not in any way imply the instantaneous enlightenment and conscience of the entire field of theater, but rather as a conscious pursuit and grasping of certain theatrical theorists by the nature and aesthetic characteristics of the drama. Theater conscious “conscious” is the theater began to calmly walk under the shadow of the script