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今年上半年的北京话剧舞台演出,呈现出两个特点:一是新剧目多;二是经典剧目的复排展演多。不论是国营院团还是民营话剧社团都在积极组织演出,抢占舞台演出市场,出现了一些值得人们关注的新景观。一、儿童剧创作出现新气象上半年的儿童剧创作可谓大丰收,新剧目一个接着一个亮相于舞台,如:中国儿童艺术剧院的《绝对小孩》、《特殊作业》、《伊索寓言》,河北省话剧院儿童剧团的《“下次开船”港》,北京丑小鸭卡通艺术团的《木偶奇遇记》,济南儿童艺术剧院的《我的麦哲伦海峡》等。这些作品创作方面的一个突出特
The first half of this year’s Beijing drama stage show, showing two characteristics: First, many new repertoire; Second, the repertoire of the classic repertoire and more. Whether state-run academies or private drama societies are actively organizing performances, seize the stage performance market, there have been some worthy of attention to the new landscape. First, children’s play creation a new atmosphere The first half of the children’s play can be described as a bumper harvest, a new repertoire appeared on stage one after another, such as: China Children’s Art Theater “absolute child”, “special assignment”, “Aesop’s Fables” Hebei Provincial Theater Children’s Theater “” the next sail “Hong Kong ”, Beijing ugly duckling Cartoon Art Troupe “Pinocchio ”, Jinan Children’s Art Theater “My Strait of Magellan ” and so on. A prominent feature of these works