本文首先辨析了音乐与叙事的相似性问题,继而讨论了三种代表性研究方法的相互联系与区别,探讨了采用分裂与和解的戏剧模式或作品中主人公的内心冲突分析方法在实践中的不足之处,进而提出:应该关注广义上的“演出”,多考察一下音乐与叙事之间的相似性,而不要直接在理论上将这两者的某些方面相等同。 This article firstly analyzes the similarities between music and narration, and then discusses the interrelationship and difference between the three representative research methods, explores the deficiencies in practice of the drama mode of using splittism and reconciliation or the analysis of the inner conflict of protagonists in works And then put forward: we should pay attention to the “performance” in the broad sense and examine the similarities between music and narrative rather than directly equating some aspects of the two directly.