郭熙在《林泉高致集》中写道:“丘园养素,所常处也;泉石啸傲,所常乐也;烟霞仙圣,此人情所常愿而不得见也。”大自然千差万别的物态与丰富的色彩,加上四时与气候的变化,给我们呈现出万千气象,它们也同样是绘画艺术取之不尽的灵感源泉。所谓风景画本是西来的词汇,因此,一般来讲,风景画所遵从的也多是西方绘画的构图、透视、空间、造型、色彩等法则。在后现代主义大行其道的今天,即便在作品中融入了自己对于传统文化的思考或哲学批判等,但大多数画 Guo Xi wrote in “Lin Quan Gao Zhiji” wrote: “Hill Park nutrients, often also; Quan Shi Xiao proud, often happy; haze San cents, this human will often wishful not see also.” Naturally different forms and rich colors, combined with the changes of the four seasons and the climate, present us with thousands of weather, and they are also an inexhaustible source of inspiration for the art of painting. The so-called landscape painting is the West to the vocabulary, therefore, in general, landscape painting to comply with mostly Western composition, perspective, space, shape, color and other rules. In today’s post-modernism popular, even in the works into their own thinking of traditional culture or philosophical criticism, etc., but most of the paintings