20世纪70年代中期,在北京西城区与海淀区交界的甘家口地区,有一群青年热爱绘画艺术。他们的父辈有军队高官和国家干部,有高级知识分子,有作家和艺术家。在那个特殊的时代,他们更早地接触到了西方绘画艺术,并近乎痴迷地汲取绘画艺术知识。当他们第一次看到莫奈的《日出印象》、雷诺阿的《煎饼磨坊的舞会》、马奈的《草地上的晚餐》和凡·高的《向日葵》等印象派的 In the mid-1970s, a group of young people in the Ganjiakou area at the junction of Xicheng District and Haidian District in Beijing loved painting. Their fathers are senior military officials and state cadres, senior intellectuals, writers and artists. In that particular era, they came into contact with the art of Western painting earlier and learned the art of painting almost obsessively. When they first saw Monet’s “The Impression of the Sunrise,” Renoir’s “Pancake Mill’s Prom”, Manet’s “Meal on the Grass,” and Van Gogh’s “Sunflower”