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从艺术学本体出发,对国内动漫进行审视与反思,通过实例列举、比较研究、回顾历史等方法,发掘问题,并提出国内动漫如何在民族化与国际化问题上进一步结合的具体观点。要实现这个目标,远非改造动漫创作的外部环境那么简单。首先要改变的,是所有动漫人的观念态度:即应当首先将其视为艺术创作而非商业制作,要使作为审美对象的动漫作品体现出其根本性的价值———即满足人们内心的审美需求。
Starting from the ontology of art, this dissertation examines and reflects on domestic anime. Through case examples, comparative studies and historical review, it explores the issues and proposes specific views on how domestic anime can be further combined on the basis of nationalization and internationalization. To achieve this goal, far from transforming the external environment of animation creation so simple. The first thing to be changed is the attitude and attitude of all anime people: that is, they should first be regarded as an artistic creation rather than a commercial one, and the animation works as aesthetic objects should reflect their fundamental value --- satisfying people’s innermost feelings Aesthetic needs.