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讲到太行山革命根据地的文学,必须讲到赵树理和阮章竞。抗日战争一爆发,赵树理从阳城县、阮章竞从陵川县同时上了太行山,开始了他们的革命根据地文艺生涯。赵树理一边编报,一边关心戏曲工作。阮章竞呢,则在剧团工作,编导歌剧、活报剧。赵树理说,四十年代是他创作最顺畅的时期。阮章竞说,太行山时期是他创作作品最多的时期。赵树理写出了《小二黑结婚》《李有才板话》《李家庄的变迁》,阮章竞创作了《圈套》《赤叶河》《漳河水》。他们的作品是根据地文学创作的经典,同时也使他们成为根据地文学的代表性作家。一、太行山上的不同在太行山,赵树理与阮章竞二人的创作理念和文学主张既有
When it comes to the literature on the revolutionary base in the Taihang Mountains, Zhao Shuli and Ruan Zhangjing must be mentioned. In the outbreak of the Anti-Japanese War, Zhao Shuli started his literary career in revolutionary base areas from Yangcheng County and Ruanzhangjing on the same time from Lingchuan County. Zhao Shuli side of preparation, while care drama work. Ruan Zhang Jing it, then work in the troupe, director of opera, live drama. Zhao Shuli said that the forties were the smoothest period of his creation. Ruanzhang Jing said that the Taihangshan period was the period when he created the most works. Zhao Shuli wrote “Xiao Er Hei Married” “Li Youcai Banhua” “Li Jia Zhuang’s Change”, Ruan Zhangjing created “trap” “Chey Yehe” “Zhanghe water.” Their work is a classic of base-based literary creation and at the same time makes them representative writers in base-based literature. First, the difference between the Taihang Mountains In the Taihang Mountains, Zhao Shuli and Ruanzhang Jing two creative ideas and literary ideas both