在黑龙江的地方戏的发展过程中,其表演艺术的创新是至关重要。无论是二人转、拉场戏、还是龙江剧,都以表演为中心,即所谓“角儿的艺术”。为此,本文仅就地方戏表演创新的问题,谈几点浅见,以就教于专家和同行。一、表演理念的创新理念来源于实践,反之又能指导实践。同样,地方戏表演的创新,首先以表演理念的创新为前提和基础、导向与支撑。所谓“表演理 In the development of local opera in Heilongjiang, the innovation of performing arts is of utmost importance. Whether it is two people, pulling the scene, or Longjiang drama, are performing as the center, the so-called ”corner child art “. For this reason, this article only talks about the innovation of local theater performances, and talks a few humble opinions to teach to experts and colleagues. First, the concept of innovative ideas come from practice, and vice versa can guide practice. Similarly, the innovation of local theater performances first takes the innovation of performance ideas as the prerequisite and the basis, orientation and support. The so-called ”acting manager