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连载了将近两年之久的这篇回望的文稿,到了终于不得不暂告结束的时候了。应当说,而今,距我所涉笔到的2000年,时光又流逝了整整七年。这七年里,至少许多年来从不寂寞的歌坛仍然热闹火爆,而众多知名与不知名的作者仍然在谱写着各自的歌。只是由于歌曲市场规模空前,歌曲传媒多种多样,更重要的是歌曲艺术品评的因素又空前复杂,使得本人如果继续涉笔、不断追赶,显然有些力不从心了,故只好暂时终止。但是,在终止之前,我还想给广大读者谈谈无法回避的几个话题,以尽可能弥补前文所未曾涉及、或仅仅点到为止而带来的某种缺憾。
The manuscript of this review, which has been running for almost two years, finally came to an end. It should be said that now, seven years have elapsed from the year 2000 to the time I wrote. During these seven years, the lonely music scene that has never been lonely for at least many years is still hot and hot, and many well-known and unknown authors still write their own songs. It is only because of the unprecedented size of the song market that there is a great variety of songs and media. What is even more important is that the art evaluation of songs has an unprecedented complexity. If I continue to engage in speeches and catch up, it is obvious that there is a lot of powerlessness to stop it. Before ending, however, I would also like to talk to readers about some unavoidable topics so as to make up, as far as possible, some of the shortcomings that have not been touched upon before or just ended up.