袁运甫(中央工艺美术学院教授): 秦龙是我所熟悉的很有特色的一个画家。在他展出的作品中,有一张画(《花艳草俗》)是线描、写意的水墨和重彩,旁边还有其他材料,包括沙子,表现他的艺术过程和自己的思考,这个过程应该发挥这些因素在作品中综合的表现力。我们能看到艺术家对自己艺术追求的那些元素,公开的面向观众,使他们了解。我看了他的作品,三个大厅,我很惊讶!个人作品展,而且是重彩为主,这个劳动是不可想象的,这和大写意不同,而且他都有很深刻的主题和思考,不是习作性的,而是真正的创作,长期的一种考虑,最后在作品中间完满的体现。我觉得这个展览能够体现秦龙这些年来默默耕耘在他的叫做″西府草庐″的画室中的成就。农民在种地,他在种画,一张一张是这样过来的,看了以后非常有感触,不得不使我想到他种画的品种,这个优化品种是怎么过来的,是怎样一个学习和研究的过程。对他们这一批画家的出现,联系到早期中央美院附中的教育,很值得今天我们美术教育的思考。附中的艺术教育,老丁校长是有功绩的,对于中国美术的发展带来重要的影响,也带来我们今天的反思, Yuan Yunfu (Professor of Central Academy of Arts and Crafts): Qin Long is a very familiar painter. Among the works on display, there is a painting (“Hua Yan Cao Ye”) which is a line drawing, freehand brushwork and heavy color, with other materials beside it, including the sand, his artistic process and his own thinking The full expressiveness of these factors in the work should be exerted. We can see the elements that artists are pursuing for their art, making it open to the audience to make them understand. I saw his works, three halls, I was very surprised! Personal works exhibition, but also recruit, this work is unimaginable, which is different from the big picture, and he has a very deep theme and thinking, not It is a real creation, a long-term consideration, and finally a perfect embodiment of the work. I think this exhibition can reflect the accomplishments Qin Long has worked silently over the years in his studio called “West House Cao Lu.” Farmers in the field, he is in the kind of painting, one by one is so come back, read very touching, had reminded me of his kind of painting variety, how to optimize the species came, how is a learning and Research process. The emergence of these groups of painters and the education attached to the early middle school of the Central Academy of Fine Arts are worth the thought of our art education today. With the art education attached to middle school, Lao Ding’s headmaster has meritorious deeds and brings important influence on the development of Chinese fine arts. It also brings us today’s reflection,