理查德·施特劳斯生前声名显赫,但身后却颇受争议,人们对他的评价经常毁誉参半,甚至贬多于褒,“庸俗”、“颓废”、“唯美主义”、“色情”等,是分析其作品时屡见不鲜的标签用语。而事实上,在古典音乐举步维艰的当下,R·施特劳斯的音乐已成为国内外上演率最高的音乐之一,其歌剧中的选段甚至作为一些国际声乐比赛的必唱曲目,这种现象引人深思。换个角度,我们会重新理解R·施特劳斯的音乐。本文以《莎乐美》和《艾莱克特拉》为研究对象,从女性主义视角下对其歌剧进行研究,我们会发现R·施特劳斯具有那个时代的超前意识,他关注女性的地位,重视女性的主体情感,崇尚女性的身体欲望表达。具有渊源的文化内涵和丰富的人文情怀,其艺术研究价值不可小觑。 Richard Strauss was famous during his lifetime, but behind the controversial, people often devalued his evaluation, or even belittle more than praise, “vulgar ”, “decadent ”,“ Pornography ”and so on, are the most commonly used labels in the analysis of their works. In fact, R Strauss’s music has become one of the most staged performances at home and abroad during the difficult times of classical music. The selection in the opera even serves as a must-read track for some international vocal competitions. This phenomenon Thought-provoking. In other words, we will re-understand R Strauss’s music. Taking Salome and Elektra as the objects of study, and studying opera from a feminist perspective, we find that R Strauss had the advanced consciousness of that era and he paid close attention to the status of women , Pay attention to the main feelings of women, women advocate the desire of the body expression. Cultural origin with rich cultural feelings and humanities, the value of its artistic research should not be underestimated.