《与唐处士书》、《今乐犹古乐赋》,北宋范仲淹作。范仲淹的音乐美学思想,源自传统儒家音乐思想,以“中和”为其音乐审美观的核心。《与唐处士书》与《今乐犹古乐赋》皆见于《范文正公集》。前者谈琴乐之道,针对后世人将琴“以艺观”而仅求其“妙指美声”的倾向,提出“宜建大雅”的审美主张,意谓应将琴乐重新纳入雅乐的轨道。对宋崔遵度《琴笺》中“清厉而静,和润而远”八字的新释,并未从审 “With the book of Tang”, “this music is still ancient music”, Fan Zhongyan made the Northern Song Dynasty. Fan Zhongyan’s music aesthetics thought originated from the traditional Confucian musical thought, and “neutralization” is the core of his music aesthetic view. “With the Tang Shishi Shu” and “this piece of music and ancient music and music” are found in the “Pham Van Collection.” The former talked about the way of piano music. In the light of the tendency that later generations would “only use art to view” the piano, they would only ask for their beauty. The aesthetic proposition of “Yi Jian Da Ya” meant that piano music should be re-included into the music track. On Song Cui compliance “piano” in the “clear and quiet, and run away” character of the new release, not from the trial