大众装饰的承担者是大众而不是人民。装饰以自身为目的,一种有组织性的、目标统一的生活方式,从共同体转入大众装饰中,使这些装饰具有一种魔力。大众装饰脱离于它的持有者本身,就必然会被赋予理性。大众装饰的结构折射着当代的全景。大众装饰是对理性的审美反映,而理性正是主流经济系统所追求的。相对于具体直接的物理再现,装饰与理智的一致只是一种幻觉。理性本应深入大众,但当大众被无神的神话崇拜搅得热血沸腾时,理性遭到遏制。只有认识到自然的有限性并且培养人的理性,社会才会转变。同时,大众装饰才会衰退,人类的生活本身才会在它的发展中采纳装饰的品质,在神话中用来对抗真理。 Public decoration is the public rather than the people. Decoration for its own purpose, an organized, unified life style, from the community into the public decoration, so that these decorations have a magic. The mass decoration is detached from its holder, and it is bound to be given rationality. The structure of the public decoration reflects the contemporary panorama. The public decoration is an aesthetic reflection of rationality, which is what the mainstream economic system pursues. The conformation of decoration and intellect is just an illusion as opposed to a concrete direct physical reproduction. Reason should have gone deep into the public, but it was contained when the public was stirred up passionately by the godless mythology. Only by recognizing the limitations of nature and cultivating human reason can society change. At the same time, public decoration will decline, and human life itself will adopt the quality of decoration in its development, which is used in the myths to fight the truth.