长篇小说《包法利夫人》是居斯塔夫·福楼拜的代表作品,树立了福楼拜在法国批判现实主义文学的学术地位。《包法利夫人》讲述的是一个受过贵族化教育的乡下少女爱玛悲剧的一生。爱玛无视身为乡镇医生的丈夫包法利,期待浪漫却过于理想化的爱情。她的两度偷情最终使她债台高筑,爱情和理想都化作泡影,最终服毒自尽。本文试从爱玛的悲剧,福楼拜的悲剧以及二者的相互关系对比中讨论福楼拜和爱玛理想主义的异同以及小说的现实意义。 The novel “Madame Bovary” is Gustav Flaubert’s representative works, establishing Flaubert’s academic status in French critical realism literature. “Madame Bovary” tells the story of Emma’s tragedy of a country girl educated by aristocracy. Emma ignores her husband as a township doctor pack France and Italy, looking forward to romantic but too idealistic love. Her twice-off romance eventually led to her debts, love and ideals have all turned into bubbles, and ultimately poison themselves. This article tries to discuss the similarities and differences between Flaubert and Emma’s idealism and the realistic significance of the novel from the tragedies of Emma, ​​the tragedies of Flaubert and the correlation between the two.