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由人体比例的变形与夸张所带来的抽象性因素,使传统雕塑的学院写实人物逐渐转向现代主义对雕塑形式的专注,这种专注淡化了个性化人物塑造的情感的特殊性而日益强化了对人类情感的表现。1989年,当
The abstraction factors brought by the deformation and exaggeration of the proportion of the human body make the college realistic figures in the traditional sculpture gradually turn to the focus of the modernism on the sculpture form. This concentration has weakened the particularity of the emotion created by the individualized characters and has been strengthened day by day The performance of human emotions. In 1989, when