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中国的山水画和西方的风景画有着各自的发展历史并形成了各自独特的风格特征。因为中国的山水画和西方的风景画在审美的趣味方面以及表现方面形式有着明显的差异,进而产生了各自不同的写生观。中国的山水画主要讲求针对事物的神韵、精神的掌握和体现,强调形象,写意,进一步营造意境。西方的风景画其写生观的不同,主要体现在针对事物外在形象的掌握和体现,强调自然景象的真实性。虽然中国的山水画和西方的风景画在写生观方面具有突出的差异性,可是因为表现需求的统一性以及画家对待自然事物的感情的统一性,从而使中国的山水画和西方的风景画在写生观的表现上也存在一定的相同之处。本文针对中国山水画与西方风景画的发展历程、空间观念以及色彩应用的观念上方面做出了系统性的阐述,最后结合具体画作进行全面分析和比较。
China’s landscape paintings and western landscapes have their own development history and formed their own unique style characteristics. Because the landscape paintings in China and Western landscapes have obvious differences in the aesthetic taste and the form of expression, and thus have their own different sketch concepts. The landscape painting in China mainly emphasizes the mastery and expression of the charm and spirit of things, emphasizes the image and the impressionism, and further creates the artistic conception. The differences between the landscape paintings of the West in their sketch concepts are mainly reflected in the mastery and manifestation of the external image of things and the authenticity of the natural scenes. Although the landscape paintings in China and western landscapes have outstanding differences in sketch concept, because of the unity of needs and the unification of the painters’ feelings towards natural things, the landscape painting in China and the western landscape are still in the sketch concept There are also some similarities in the performance of the same. This paper systematically elaborates the development of Chinese landscape painting and western landscape painting, the concept of space and the concept of color application. Finally, the paper makes a comprehensive analysis and comparison with the concrete paintings.