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女性形象的生态女性主义叙事出现在社会历史转型的危急时刻。颐琐的《黄绣球》作为政治小说,确也具有晚清新小说理想化、寓言化叙事的乌托邦性质。而从生态女性主义的叙事立场来看,女人和男人一样是血—水—土地—家所构成的生命圈里,自然的人,文化的人和社会的人。女性知识论立场的宇宙观和生命观的确立,预示着晚清女性对于家国同构的天人合一的社会型构,合乎女性生存利益的生态主义意味的深沉审视。黄绣球亦成为生态女性主义批评视野中蜕旧变新的新女性的形象原型。
The ecofeminist narrative of female image appeared at the critical moment of social and historical transformation. As a political novel, the “Yellow Hydrangea” by Zhen Suo also indeed has the utopian nature of idealization and allegory narration in late Qing fiction. From the ecofeminist narrative standpoints, women and men are blood, water and land - the life circle, natural person, cultural person and social person. The establishment of the cosmological view and life outlook of the female epistemological stance indicates that the women in the late Qing dynasty scrutinized the social structure of harmony between man and nature and the ecologism of women’s survival interests. Huang Xiuqiu has also become the image prototype of the new women who have changed their perspectives from the perspective of ecofeminism criticism.