本人生于海外,受教育于中国台湾,居住在香港特区及美国多年。从20世纪60年代至今,经历过海外传统与现代水墨绘画运动。台湾渡海三家——张大千、溥心畲、黄君璧,从传统到泼彩;刘国松的现代印、拓、染、贴制作太空面貌。香港赵少昂岭南画派,吕寿崐的现代水墨与禅的结合,新中国的写生与学院派形成的现实主义绘画道路。这些锐意凸显与冲击,其实是中国绘画走向世界,接触不同文化交流反思所引起的各个时代变化所产生的现象。但中国绘画是与 I was born overseas, educated in Taiwan, China, living in the Hong Kong SAR and the United States for many years. From the 1960s till now, I have experienced overseas traditional and modern ink and wash paintings. Taiwan’s crossing the sea - Zhang Daqian, Pu Xin She, Huang Junbi, from tradition to splashes; Liu Guosong’s modern printing, extension, dyeing and paste making space appearance. Hong Kong Zhao Shanyang Lingnan School, Lv Shoukun’s combination of modern ink and Zen, the painting of New China and the academism of the realist painting. These sharp prominence and impact are, in fact, phenomena arising from the changes of various times in the history of Chinese painting that came into contact with the world through reflection on different cultural exchanges. But Chinese painting is with