摄影术发明之后,传统艺术媒介,尤其是绘画面临挑战,一定程度上导致了绘画的转向。版画诞生之初,很大程度上是为了满足作为“传播媒介’’的功能,比如中国的《芥子园画谱》、欧洲中世纪版画,大都为了这一功能。为了广满足此功能目的,版画的”复数性“变成了版画的最重要的特征之一。但是随着印刷术的发展,印刷技术的日益精良,尤其是时下网络媒体,自媒体的快速发展,”版画“作为”传播媒介“的功能基本消失殆尽,更大程度上退缩为一种”纯艺术形式“。”复数性“与大众对纯艺术品”唯一性“的期待形成了矛盾关系。严格的版数限制于是变得必要。在版画市场相对成熟的欧美等地,这一”信誉“基础是版画家身份确定的重要指标,并有相关的艺术机构予以认证。前几年,中国版画 After the invention of photography, the traditional art media, especially the painting, are facing the challenge, which to a certain extent led to the turning of the painting. The beginning of the print was largely to satisfy the function as a ”medium of communication,“ such as the painting of the mustard garden in China and medieval European prints, mostly for this purpose. ”Plurality“ has become one of the most important features of printmaking.But with the development of printing, the printing technology is increasingly sophisticated, especially nowadays online media, since the rapid development of the media, ”print “ as The function of ”media“ basically vanished, to a greater extent, retreated to a ”pure art form.“ ”Complexity“ and the formation of the public’s expectation of pure artwork ”uniqueness “ The contradiction between the strict restrictions on the number of plates so it becomes necessary.In the print market is relatively mature Europe and the United States and other places, this ”reputation " is an important indicator of identification of identity of the printmaker, and the relevant art agencies to be certified. A few years ago, Chinese prints